In a shocking turn of events, accusations of sabotage have rocked Ghana’s music industry—but is there more to the story than meets the eye? When Stonebwoy’s BHIM Festival and The Black Star Experience concert were both scheduled for December 26, 2025, rumors swirled that Rex Omar, head of the Black Star Secretariat, was deliberately undermining Stonebwoy’s event. But here’s where it gets controversial: Rex Omar has vehemently denied these claims, insisting he would never sabotage any Ghanaian artiste. “I’ve sacrificed my own career to fix this industry,” he declared, “so why would I undermine someone I’ve fought to support?”
In a candid interview on Joy Prime on November 19, 2025, Rex Omar addressed the controversy head-on, framing the clash as a colossal misunderstanding. “Stonebwoy and I have always had a good relationship,” he explained. “If there was an issue, a simple call could have resolved it. Instead, it spiraled into public accusations of sabotage—something I’d never engage in.” He emphasized that the matter should have been handled privately, not blown out of proportion online. “We need to rise above petty disputes,” he added. “They only hold us back.”
And this is the part most people miss: Rex Omar isn’t just defending himself—he’s advocating for a systemic change in how Ghana’s creative industry handles conflicts. “If we can’t resolve our issues at home, how can we present ourselves to the world?” he asked, highlighting the need for professionalism and unity. He welcomed the rescheduling of the BHIM Festival to December 24, 2025, and reaffirmed his support for Stonebwoy’s global ambitions. “I want to see him filling stadiums in New York, in France, everywhere,” he said. “That’s what we’re working toward.”
As National Coordinator of the Black Star Experience, Rex Omar clarified the government’s stance: “We’re not here to take sides in artiste rivalries. Our goal is to ensure every talent gets the attention they deserve.” He acknowledged that disagreements are inevitable but stressed the importance of resolving them privately. “Not every issue needs to become a public spectacle,” he noted.
Despite the tension, Rex Omar remains unwavering in his support for Stonebwoy, whom he still considers a brother. “People like him are why I do this work,” he said. “I didn’t fight for decades to sabotage someone I’ve championed.”
But here’s the question that lingers: Could this controversy have been avoided with better communication? And does the public nature of the dispute reflect deeper issues within Ghana’s music industry? Share your thoughts in the comments—let’s spark a conversation that could shape the future of Ghanaian music. Meanwhile, don’t miss the highlights from Tidal Rave 2025, where the festival experience and standout performances stole the show!