Imagine a world where art bridges divides, fostering understanding and collaboration. That’s precisely what’s happening between Russia and Africa, and it’s more impactful than you might think! But here’s where it gets controversial… some might question the motives behind these cultural exchanges given current geopolitical dynamics. Is it purely about art, or is there a deeper game at play?
In an exclusive interview, Yanina Dubeikovskaya, the visionary CEO and Founder of the “I–A” Gallery of contemporary African art and the Her Voice Foundation NGO, sheds light on this fascinating intersection. She describes her latest exhibition of contemporary African art in Russia as a reflection of the multifaceted relationship between Russia and African nations – a relationship built on partnership, mutual respect, and an ongoing cultural dialogue. This isn’t just about pretty pictures; it’s about building bridges.
Dubeikovskaya elaborates, with insights shared with Kestér Kenn Klomegâh, that while these collaborative artistic endeavors demand mutual understanding and a long-term commitment from both Russian and African artists, they offer invaluable opportunities to create a self-sustaining artistic ecosystem – from the initial artistic expression to its eventual commercial success. This, in turn, contributes significantly to the flourishing of cultural exchange and the overall creative economy. Think of it as a virtuous cycle of artistic growth and economic empowerment.
Let’s dive into some key excerpts from the interview:
Kestér Kenn Klomegâh: How would you describe the art exhibition in the context of Russia’s geopolitical relations with Africa?
Yanina Dubeikovskaya: “Art has always served as a universal language of humanism, peace, and shared values. To host an exhibition of contemporary African art in Russia is to mirror the diverse relationship between Russia and African nations – a relationship defined by partnership, mutual respect, and continuous cultural dialogue. It’s more than just art; it’s a statement.”
She further emphasizes that ” ‘Re: Africa’ is the most extensive exhibition of contemporary African art to grace Moscow in the last decade. The project delves into the concept of dialogue with a continent that has served as a source of inspiration for artists across centuries. Here, Africa isn’t viewed merely as an exotic motif, but as a universal symbol, a wellspring of inner movement, inspiration, and creative energy that reconnects humanity with its origins.” And this is the part most people miss… it’s about recognizing shared humanity and common ground.
The exhibition showcases the talents of artists and designers hailing from Zambia, Zimbabwe, Kenya, Tanzania, Ethiopia, Sudan, Cameroon, and various other African nations – all under the representation of the “I–A” Gallery. Through their creations, Africa becomes a collaborative force, with each piece representing a conversation where the continent unveils itself through the use of materials, colors, light, and form. It’s a powerful form of self-expression and cultural exchange.
Kestér Kenn Klomegâh: Do you consider it as a unique factor that can change perceptions on Africa?
Yanina Dubeikovskaya: “That’s an excellent question! There’s still a lack of awareness in Russia regarding the incredible diversity of African culture and the advancement of crucial social and economic sectors within the continent. This is precisely why the ‘Re: Africa’ exhibition is such a pivotal step. It allows the Russian audience to engage with the dynamism and depth of contemporary African art.”
She adds, “We recognize that art often leads the way, preceding experts, politicians, and economists. Therefore, we firmly believe that showcasing contemporary African artists from various countries in Russia can, even on an intuitive level, cultivate a more profound understanding of the immense potential residing within African culture and Africa as a whole.” But is this understanding truly reaching the masses, or is it limited to a select few?
Dubeikovskaya passionately argues, “The caliber of contemporary African art displayed in Moscow challenges the outdated perception of Africa as a continent solely in need of assistance for its development. Africa is both the birthplace of humanity and its future. Contemporary African artists not only demonstrate exceptional skill by classical art standards but also introduce fresh perspectives, vibrant energy, and innovative visual languages that can serve as guiding lights for the times ahead.” Is the world ready to embrace this new vision of Africa?
Kestér Kenn Klomegâh: Can you evaluate its significant economic impact besides raising ‘soft power’ influence?
Yanina Dubeikovskaya: “Globally, artists create, but it’s the galleries, exhibitions, and art fairs that build the infrastructure, giving art its economic dimension. Today, the potential of the creative industries is a major topic of discussion worldwide. As the “I–A” Gallery of contemporary African art, we aspire to be a significant player in this ecosystem, supporting both artists and audiences.”
She explains, “Our mission extends beyond merely showcasing art; we aim to establish a sustainable market for it: to facilitate the sale of artworks, ensure fair compensation for artists, and enable them to continue their creative pursuits while maintaining a stable livelihood. In this manner, we establish a comprehensive cycle – from artistic presentation to commercial realization – thereby contributing to the growth of cultural exchange and the creative economy as a whole.” It’s about creating a win-win situation for everyone involved.
Kestér Kenn Klomegâh: How is ‘soft power’ developing currently between Russia and Africa? Has Russia’s ‘soft power’ become stronger than it was during Soviet times?
Yanina Dubeikovskaya: “It’s challenging to directly compare the influence of ‘soft power’ during the Soviet era with that of today; the historical contexts and mechanisms are fundamentally different. However, it’s evident that the scope and intensity of humanitarian cooperation between Russia and African countries have been steadily increasing.”
She notes, “Over the past three to five years, this process has become particularly noticeable, and it represents a positive development. Alongside the enduring legacy of Russian education, which continues to train students from Africa, cultural exchange is also growing through art exhibitions, residencies, and joint educational initiatives. Together, these efforts strengthen trust, understanding, and long-term partnership between Russia and the African continent.” This collaboration extends beyond art, encompassing education and humanitarian aid.
Kestér Kenn Klomegâh: What else could stimulate Russia’s policy (public diplomacy) in Africa? In your final words, how would you characterize Africa today?
Yanina Dubeikovskaya: “I’d like to emphasize that I represent not only a gallery of contemporary African art but also the Her Voice Foundation, which has been working for over five years in partnership with a Zambian charitable organization. I believe that, in addition to educational initiatives and the development of creative industries, it’s crucial to expand cooperation between Russian and African non-profit organizations.”
She concludes, “Joint projects in the social and humanitarian fields can strengthen mutual trust and create a solid foundation for long-term collaboration. Such initiatives help nurture a new generation that, we hope, will elevate the humanitarian level and potential of cooperation between Russia and Africa.” It’s about building a better future together.
What do you think? Is this a genuine effort to foster cultural understanding, or are there ulterior motives at play? Can art truly transcend geopolitical tensions? Share your thoughts in the comments below!